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Complex Numbers #1061544 added December 29, 2023 at 7:44am Restrictions: None
I Don't Know, But Alaska
Ever read something just to remind yourself how good you've got it? For me, that's pretty much everything from Outside, especially this article:
Huh... I didn't know that "domestic bliss" was a synonym for "literal Hell," but in retrospect, it makes sense.
Article is from 2013... not enough time for climate change to significantly affect the subject matter or my feelings about it. Yet.
My two brothers and I, along with a buddy of ours... own a shack at a place called Saltery Cove on Southeast Alaska’s Prince of Wales Island.
Morbidly curious, I looked it up. It's almost as south as you can get and still be in Alaska. The northern boundary of British Columbia is quite a ways north.
The place is still way too north.
The shack is about 36 feet long and 12 feet wide, with the warped shape and discoloration of a cardboard shoe box that’s been soaked in the rain.
Luxury!
The appeal of our shack isn’t so much the structure itself, but rather the bare-bones nature of its locality. Surrounded largely by the Tongass National Forest, it’s a place where black bears gnaw mussels from the rocks in what might be described as our yard and killer whales pass by so close that you can hear them even with the door closed.
Okay, fine, that would be kinda cool to experience. For, like, a day or two.
But in truth that’s only half the answer. The other half is more difficult to explain and also a bit masochistic: Saltery Cove is a place where everything—the weather, the ocean, the mountains, the people, the trees, the animals, even the buildings—seems capable of kicking your ass in a very physical way. And in today’s increasingly tame and virtual world, where our primary sensations tend to be delivered by our Wi-Fi connections, a good old-fashioned ass kicking is something worth paying for.
Bullshit.
I mean, okay, you feel that way, fine. We gotta have differences of opinion, or else one spot would get too crowded. But to me, this is like saying, "I built myself a beautiful mansion, but I prefer the feeling of living in a drainage ditch."
I prefer the simple life. By which I mean, if I'm cold, I press a couple of buttons, and then I'm not cold. If I'm too hot, I press the same buttons in a different order. Hungry? Buttons. Thirsty? Okay, no button for that, but there's a lever. Dirty? Knobs for that. Entertainment? Back to the buttons. Couldn't possibly be simpler, at least not until we further refine AI. No, I don't yearn for the complicated lives of my ancestors; they worked their asses off so I could sit on mine all day, and I'm ever so grateful and appreciative of them for that.
Another way in which the cabin kicks my ass is through my wife, Katie. She often regards my purchase of the shack with that eye-rolling sense of dismissal that people will use when confronted with the subject of their spouse’s past girlfriends or boyfriends.
And yet she puts up with you. I've never really understood people, and articles like this only add to my confusion.
I went there with my brother Danny to fish salmon and halibut with one of Saltery Cove’s eight full-time residents, Ron Leighton, a man of mixed Native Alaskan and Irish descent who’ll tear your head off for tangling an anchor line and then send your kid a birthday present even though the nearest mailbox is an hour’s boat ride from his house. Ron’s résumé includes a tour of duty as a door gunner in Vietnam, a career as a detective with the police force in Ketchikan, Alaska, and a parallel career as a halibut long-liner.
Gotta admit, though, that's the kind of person whose life seems tailor-made for writers.
The article goes on to describe why it's such a wonderful idea to buy a cabin on the coast of nowhere, sight-unseen: in summary, the place was utterly trashed and they spent months cleaning up.
Oh, well. It works for them. More space in semi-civilized areas for me, then. |
© Copyright 2023 Robert Waltz (UN: cathartes02 at Writing.Com). All rights reserved. Robert Waltz has granted InkSpot.Com, its affiliates and its syndicates non-exclusive rights to display this work.
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