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Why I Write
When I write, I draw on my experiences as a woman with a painful past, a rapturous wife and mother, a world traveler, and a spiritualist. For me, writing is an art form. Like an artist, the work becomes more than I imagined it would be. When I set out to write a story with a particular idea or character in mind, words I cannot claim as my own flow from a magical and mysterious place through me and onto paper. The work takes on a life of its own; it is living art. The process fascinates me, satiates me, and makes my life more meaningful.
Please read my stories! If you would like to offer me feedback on my work, please click here and sign up for a free membership: https://heftynicki.Writing.com
I hope to see you there!
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Blog, Blog, Blog #685634 added January 28, 2010 at 11:17am
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The Unreliable Narrator
A literary device that fascinates me is the Unreliable Narrator. The unreliable narrator is one whose credibility has been compromised, so that the story filtering through his or her perception is untrustworthy. At some point, the reader realizes this. The success of the device hinges on whether the reader believes the narrator is incapable of figuring out that which the reader can deduce.
An unreliable narrator can be first person or third person limited POV. (I’m going to call the narrator “he” from here on out, because “s/he” and “his/her” gets annoying for me to type, and you to read!) Something in the narrator's personality or psyche severely hinders his awareness as the story unfolds around him. His prejudice by race, class or gender may skew his observations. His perception could be distorted because his age differs greatly from that of the other characters, as in the case of a child interpreting an adult’s world. He could suffer from drug addiction or dementia. He may be a person of low intelligence or with mental impediments. The unreliable narrator may also be consciously deceiving, as in the case of a pathological liar or a narcissist.
Like all literary devices, the writer must craft an unreliable narrator with authenticity, presenting the narrator’s point of view in a way that convinces the reader to believe and to feel sympathetic. Technical writer, poet and blogger John Hewitt says:
“When done badly, a story written from [the unreliable narrator’s] point-of-view can be viewed as manipulative, misleading, confusing and pretentious. When successful, however, the results can be powerful and fascinating.” (Read Hewitt’s article here.) 
Here are some celebrated books that use unreliable narrators:
To Kill a Mockingbird (child narrator)
The Adventures of Huckleberry Fynn (child narrator)
One Flew Over the Cuckoo’s Nest (dementia)
The Tell Tale Heart (deranged, paranoid narrator)
Fear and Loathing in Las Vegas (drug-fueled hallucinations)
The Native Son (skewed societal views)
A Clockwork Orange (skewed societal views)
The Catcher in the Rye (narrator personality flaws)
Flowers for Algernon (mental impediments)
Fight Club (multiple personality disorder)
I experimented with the unreliable narrator when competing in KiyaSama's former contest "A Picture Is Worth A 1000 Words." The picture prompt that round was a digital image that had obviously been photo-manipulated, because it depicted a man at the wheel of a car that had just missed a hairpin turn in the narrow road along the edge of a cliff. It was as if the photo had been snapped moments after the car had burst through the guard rails, as it hung suspended in the air seconds before plummeting. I’m not a big fan of stories that end with, “…and then the world went black,” so I decided to go with an unreliable narrator when I wrote this:
Have you ever experimented with developing an unreliable narrator? Have you come across a story with an unreliable narrator you thought was successful? Unsuccessful?
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