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Complex Numbers
Complex Numbers

A complex number is expressed in the standard form a + bi, where a and b are real numbers and i is defined by i^2 = -1 (that is, i is the square root of -1). For example, 3 + 2i is a complex number.

The bi term is often referred to as an imaginary number (though this may be misleading, as it is no more "imaginary" than the symbolic abstractions we know as the "real" numbers). Thus, every complex number has a real part, a, and an imaginary part, bi.

Complex numbers are often represented on a graph known as the "complex plane," where the horizontal axis represents the infinity of real numbers, and the vertical axis represents the infinity of imaginary numbers. Thus, each complex number has a unique representation on the complex plane: some closer to real; others, more imaginary. If a = b, the number is equal parts real and imaginary.

Very simple transformations applied to numbers in the complex plane can lead to fractal structures of enormous intricacy and astonishing beauty.




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January 20, 2025 at 9:32am
January 20, 2025 at 9:32am
#1082596
This article from Discover isn't very old, and it's about one of the most important international cultural figures.

    Godzilla at 70: The Monsterā€™s Warning to Humanity Is Still Urgent  Open in new Window.
The 1954 film 'Godzilla' launched a franchise that has been warning viewers to take better care of the Earth for the past 70 years.


Eh, if it'd been that urgent, we would have taken better care of the Earth for the past 70 years.

The 2024 Nobel Peace Prize has been awarded to Nihon Hidankyo, the Japan Confederation of A- and H-bomb Sufferers Organizations.

The Peace Prize is a joke and has been since it got awarded to a terrorist back in the 1970s. While last year's doesn't stoop to that level, I don't know how many have been awarded to an organization instead of an individual.

Fortunately, this article isn't actually about spurious awards; that was just what passes for a human-interest lede.

Around the same time that Nihon Hidankyo was formed, Japan produced another warning: a towering monster who topples Tokyo with blasts of irradiated breath. The 1954 film ā€œGodzillaā€ launched a franchise that has been warning viewers to take better care of the Earth for the past 70 years.

A couple years back, a remastered Godzilla (more properly Gojira, from what I understand) got a screening in my local theater, in all its 1950s black-and-white glory. I canceled actual social plans to go see it, because it's Godzilla. I don't think I'd ever seen the entire movie start-to-finish until that night, and, from what I've been told, the version released in the US was severely edited from the original.

Point is, even if I had seen the whole film, it might have been the idiot version; also, I would have been a kid, and the whole metaphor would have been lost on Kid Me.

In our view, these films convey a vital message about Earthā€™s creeping environmental catastrophe.

Godzilla is as sudden and relentless as a nuclear weapon. The thing about a creeping environmental catastrophe is that it's, well, creeping. There's a parable about a frog in a kettle as the water slowly comes to a boil; it's inaccurate as biology, but still a decent metaphor for living in a crumbling ecosphere.

Superman's famous origin story comes to mind. In brief, Jor-El figured out that the planet Krypton was in imminent danger (details vary among retellings), but no one listened to him, so he sent his kid to Earth to become a god. When I was a kid, I was like "But why didn't they listen to Jor-El?" Well, now I know.

ā€œGodzillaā€ is full of deep social debates, complex characters, and cutting-edge special effects for its time. Much of the film involves characters discussing their responsibilitiesā€“ to each other, to society, and to the environment.

I've said that while American movies are about bad guys getting the shit kicked out of them by the good guys, Japanese movies are about honor. This tracks here, as honor is tied to responsibility. Another way to look at it is that American movies are about rights, while Japanese ones are about responsibilities. It's obviously not that simplistic in reality, and you can find all kinds of exceptions. (Meanwhile, French movies are about managing to have sex.)

Anyway, the article goes into how Gojira evolved from villain (sort of) to hero (sort of), and some of the other highlights and lowlights of the movie series. It pays special attention to the metaphors, but, really, there's nothing wrong with enjoying a good kaiju fight movie.



With a purposeful grimace and a terrible sound
He pulls the spitting high tension wires down
Helpless people on a subway train
Scream bug-eyed as he looks in on them
He picks up a bus and he throws it back down
As he wades through the buildings toward the center of town


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